The next filter combines two fragmented series of intervals into one construction in two voices. These new pitch combinations form the panels in this next section of the composition. The series of intervals used in the previous section lose their importance and slowly fade away, simultaneously changing the harmonic material. The combination of two fragmented series of sixteenth notes and pauses has an asymmetric course and makes multiple pauses disappear, thus creating new possibilities for rhythmic combinations. A new applied filter transforms a number of sixteenth notes into grace notes. Another filter, that doubles diatonically connected notes into two identical clusters, creates a completely new pitch treatment.