Improving the practice and performance of contemporary music
Coda - constructive period
The coda takes the head of the main motif and parts of the 32nd-note sequence in the main motif and transposes these parts around. He mostly takes a note-addition direction, but occasionally note-diminution is used as well. The rhythmic density mostly remains the same throughout the period. He basically uses the coda as an opportunity to play around with the different parts of the main motif. The use of dynamics is also different from the rest of the composition using shorter crescendos and more changes in dynamics. Accents are added to enhance the structure and direction of the constructive period. All phrasing forms appear in the coda: staccato playing, 1/2 pedal, and full pedal.