Improving the practice and performance of contemporary music
Loop A - loop 1 - constructive period
Although F5 and B5 are note-diminutions here, the tendency in this period is to have note-addition. The rhythmic density is raised in this period, with one exception of rhythmic augmentation in measures 35-36. Here 32nd triplets become 32nds. Dynamics evolve from pianissimo in measure 26 towards forte in measure 36. In measure 37 (motif 1), accents are added on every beat. The phrasing starts with 1/2 pedal indications, moves to full staccato playing in measures 28 through 32, then transforms via 1/2 pedal into full pedal in measures 35 through 37. The melodic curve evolves from the large intervals of the residue in measure 26 to a very fluent curve in motif 1.