Improving the practice and performance of contemporary music
Loop C - loop 5 - main motif contructive period
Although this period is marked as constructive because of the other parameters, the note-operations are mainly note diminutions. Some note additions appear at the end of the period in the construction of the main motif. The rhythmic density is raised over the period from 8ths to 16th triplets. Dynamics evolve in crescendo from piano in measure 176 towards forte in measure 185. Accents are added to enhance the structure and direction of the constructive period. The phrasing only indicates 1/2 pedal, except for the last measure with the main motif, which has a full pedal. The melodic curve evolves from the quite fluent repetitive residue to the quite fluent main motif.