Improving the practice and performance of contemporary music
Loop C - constructive period 2
Although there are some minor examples of note-diminution, the main tendency in this period is to have note-addition, building up from the residue of the former period. The rhythmic density is raised from a combination of 16ths and 16th triplets in measure 150 to 32nds in measure 158. Dynamics evolve in crescendo from piano in measure 150 towards forte in measure 158. No accents are added and the phrasing is not altered. The melodic curve evolves from the quite fluent residue in measure 150, to a capricious middle part, and finally to a fluent curve in measure 158. There are some note-rotations in measures 154-155.